The Intouchables: A Movie Review

movieThe Intouchables is about the handicapped — and is in French with sub-titles—a double whammy! Now that I have that out of the way, can I say I loved this movie? Would I have picked it had I known what I just told you? Probably not. Would I have missed out on an amazing, life affirming story? Absolutely.

Monotony. Sounds like a boring word but it claims a whole new meaning when it describes, not just a few hours but the rest of your life. That’s what French aristocrat, Philippe was facing. Philippe (Francois Cluzet) is a quadriplegic who used to be a daredevil. Now he is trapped in his own body, relegated to a wheelchair. Philippe has a houseful of staff but they all seem to fawn over him. In the beginning of the story he is interviewing for a care giver, someone with a strong back and strong hands. Everyone who comes to interview seem to have sterling resumes. When ex-con Driss (Omar Sy) shows up it is for one reason and one reason only: he needs to get a signature to prove he’s out looking for a job so he can draw his benefits. No sterling resume but there was something about him that told Philippe this one just might make a difference in his “hohum” existence.

The Intouchables is an irreverent, uplifting comedy about friendship, trust and human possibility. This film depicts an unlikely camaraderie rooted in honesty and humor between two individuals who, on the surface, would seem to have nothing in common.

This true story fascinated me. I have to admit that personally, I often don’t know how to act around the handicapped. It’s not that I don’t care for them but more than likely that I care too much. I don’t want to hurt or offend them. I suppose, in my ignorance, I just never had the courage or the honesty to ask the question: how would you like me to treat you?

In real life, Philippe Pozzo di Borgo is a descendant of two prominent French families and is the director of one of the most celebrated champagne houses. He was not in the habit of asking for help. Then in 1993, right on the heels of his wife being diagnosed with a terminal illness, a paragliding accident left him a quadriplegic. In a moment, he became the equivalent of an “Untouchable,” unable to reach out to others as others were afraid to reach out to him.

The only person who seemed unaffected by Philippe was someone who had been marginalized his entire life, Abdul the unemployed, uninhibited Algerian immigrant who would become his unlikely caretaker. In between dramas and jokes, he sustained Philippe’s life for the next 10 years. Philippe wrote a book about this period of time entitled, “Second Wind.” Philippe describes his friend, Abdul, as irreverent and cheeky, with an outrageous sense of humor; a sweet craziness.

This statement is depicted splendidly by directors and writers, Eric Toledano and Olivier Nakache. The Intouchables, a French box office hit, has taken home many awards in Europe. Go see The Intouchables! You’ll be glad you did, then email me at chastings@rockcliff.com

PS: This film is graphic, so it’s not for young children.

 

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The Piano & Cousins

“Music is enough for a lifetime but a lifetime is not enough for music.”

                                                                                                Sergei Rachmaninoff

Today, in many homes, one will find the piano residing in the living room or other location. Whether the instrument is played by a family member or just an elegant piece of furniture the piano is important to many.  Have you ever wondered how the piano came to be?  Obviously it just didn’t appear in its present state of construction one day in the past. It, like almost everything, has an origin and a history of its ancestor’s evolution to its present day form.

Piano

How does it work? The piano, a stringed-percussion instrument, produces sound by hammers striking metal strings that are stretched across a soundboard when the black and while keys on the keyboard are depressed.  The piano was originally known as the ‘Pianoforte’ that literally means “soft-loud.”

Bartolomeo di Francesco Cristofori (1655-1731) is credited with the development of the modern piano we know today, in 1709.  He was a harpsichord maker from Florence Italy. The early piano was first produced because an instrument was desired that had a better dynamic range (degree of loudness) than the harpsichord. The new hammer action could produce gradations of loudness that was lacking in the harpsichord. Finally performers were able to have a better mechanism to provide musical expression and varying degrees of dynamics, contrast and nuance.

Around 1720 the original piano action was improved upon and went virtually untouched for the better part of a century.  Even with modern improvements during the last 300 years the modern version is very similar to Cristofori’s piano of the 18th century.

“From 1790 to the mid-1800’s, piano technology and sound greatly improved due to the inventions of the industrial revolution,” wrote Mary Bellis in The History of the Piano. “Tonal range increased from five octaves to seven and more.”

The modern piano is so versatile it is used as a solo instrument, an ensemble instrument an accompanying instrument for vocalists and other instrumentalist in both classical and other genres. It is currently manufactured in upright and grand piano formats.

To establish a link to the piano’s present-day construction, appearance and function one must go back several hundred years to the late medieval through the renaissance, baroque and classical eras. Many string and keyboard progenitors preceded the piano; prominent among these are the clavichord and harpsichord that led to the invention and construction of the pianoforte.

Clavichord

The clavichord can be defined as a stringed keyboard instrument housed in a rectangular case. In order to produce a tone, the strings are “struck” by a mental wedge called a tangent. The name “clavichord” comes from the Latin word clavis meaning key and chorde which means string. The Harvard Dictionary of Music states the clavichord produces a very soft sound and at first hearing is often thought as disappointing.  Variations in the force with which the keys are struck produce changes in loudness although not to a great extent. The instrument is limited in the range of its sound therefore it is a very sutbtle sounding instrument best heard in small intimate settings as opposed to a large concert hall or outdoors.

One of J.S. Bach’s sons, Karl Philipp Emanuel Bach, was an important composer of the most idiomatic music for the clavichord. Today there are numerous clavichord societies around the world keeping the instrument and its music alive.

Harpsichord

A rudimentary definition of a harpsichord is: a keyboard instrument similar to the piano. The strings are ‘plucked’ by a quill rather than struck by a hammer like the piano.  “The harpsichord is descended from an instrument called the Psaltery; a hand-held stringed instrument played with a plectrum: a piece of quill, ivory or metal used to pluck the strings,” explained Cynthia Reeser in The History of the Harpsichord. “In the late 14th century a keyboard was added; this development soon led to the harpsichord in the early 15th century.”

Some of the early instruments, especially those made by the Italian makers, circa 1521, were somewhat small and lightly constructed.  It is reported that they have a characteristically pungent, immediate, almost at times percussive tone. The Flemish style instrument from the early 17th century was more solidly constructed than their Italian cousins. Two sets of strings and two manuals (keyboards) were common and they had a fuller sound.

In general, harpsichords were used for both solo work and as an accompanying instrument in chamber groups as well as larger ensembles. It was much in favor in the Baroque period as a ‘continuo’ or bass part in numerous compositions. In the late 18th century the harpsichord was gradually displaced by the piano.

So the piano, the instrument in many of our homes, has a long and storied history. It just didn’t happen – it came about through many prototypes and the genius of talented instrument makers of the past, for whom we are so grateful.

Please submit your questions and comments to banddirector01@comcast.net                                                                           Visit our website at www.danvilleband.org for up-to-date information about the Danville Community Band.

 

 

 

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